Designer Sunglasses: 2006 collection. 100% Authentic Sunglasses by Gucci, Dior, Cazal,
Cavalli, Versace, Armani,
Boucheron, Salvatore Ferragamo, Dolce & Gabbana, Chanel, Marc Jacobs, Valentino, Roberto Cavalli at wholesale prices
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Fashion cool shades:
Oversized
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From Jackie O to Ashley O., these sunglasses make a bold statement and convey a mysteriously seductive allure. They are synonymous with movie-star chic. |
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Sophia
Loren
1965 |
Jackie
Kennedy Onassis
1973 |
Ashley
Olsen
2006 |
Galle
Berry
2006 |
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White
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A pair of white shades makes for
am unexpectedly chic choice for the beach or shopping on Robertson
Boulevard. White says you are confident and not afraid to stand out
in a crowd. Today's offerings are oversize, like those worn by style
icon Audrey Hepburm in 1967. And don't feel pressured to retire them
in the fall.
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Grace
Kelly
1954 |
Audrey
Hepburn
1967 |
Paris
Hilton
2006 |
Lindsay
Lohan
2005 |
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Cat's eye |
| This style can say you are classic and refined
or on the cutting edhe, depending on the frame and how it'is worn. Designers
and retailers agree that few shapes are as insouciantly girlie or as
the cat's-eye, popularized by such Hollywood vixens as Jayne Mansfield,
Joan Crawford and Liz Taylor at the height of her jet-setting powers
on the sixties. It is a great shape because it highlights the face and
makes a very strong statement. |
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Elizabeth
Taylor
1960s |
J.Mansfield,
J.Crowford
1957 |
Julia
Roberts
2002 |
Melanie
Griffith
2005 |
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Retro |
| If anyone is associated with the Wayfarer shape
it is Tom Cruise, who made it famous in the 1983 film Risky Business.
Wayfarers, which mavericks from Jack Nicholson onward have gravitated
to, telegraph an independent streak and a sense of irreverent abandon.
Wayfarers started as a symbol of rebellion and have evolved into a classsic
American look. The frames are witnessing a mini resurgence among style-setting
stars like Kirsten Dunst and Sienna Miller; this can only mean that a
full-blown revival is nigh. |
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Madonna
1987 |
Tom
Cruise
1983 |
Kirsten
Dunst
2006 |
Sienna
Miller
2005
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